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The Stutter Edit performs real time audio slicing and manipulation, with gate, pan, delays, filters, and lo-fi settings in addition to the stutter effects. The result of a collaboration with electronica musician BT (’stutter edit’ is his signature musical technique), the plug-in is a playable effect for laptop performers on stage or in the studio.
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#Izotope stutter edit manual full#
Finally, the Piano 88 comes with a triple pedal, with sustain, soft pedal, and sostenuto, to make full use of the capabilities of this piano player’s keyboard.Īlso announced at NAMM and available now is the Stutter Edit plug-in from iZotope. Some handy global and panel options on the unit: the transpose feature, with a range of -6 to +6 semitones, and Kbd touch, which allows you to alter the velocity response of the piano. The Nord Piano 88 feature set includes the standards as well, with three bands of EQ, three amp models, six reverb algorithms (two each of stage, hall, and room), and an effects library with the usual suspects. MIDI over USB is also available with this unit, in addition to standard 5-pin MIDI connectors.
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The factory sounds loaded into the piano memory can also be exchanged and replaced with new sounds from the Nord piano library, which are free and downloadable from the Nord website through the Piano 88’s USB connectivity. How about another example, this time using only the iPad? The iConnectAudio4+ can route an audio stream from the iPad, and back to the same iPad.In addition to 24 banks of 5 programs totaling 120 different program possibilities, it includes modeling of sympathetic string resonance and authentic pedal noise, which capture the realism of an acoustic upright or grand piano. This lets you capture the main audio output, which could be Skype or FaceTime, and then loop it back into the iPad for recording. Thus equipped, you can record podcasts on just an iPhone, or record YouTube videos, or even record iOS GarageBand’s amazing virtual instruments into another app. To achieve all this goodness, you need to use the iConfig app.
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It looks like something out of a nightmare about Windows 95, but once you get used to its sparse, spreadsheetlike interface, you’ll find it very powerful. You simply click on a node to connect them.įor instance, its Audio Patchbay shows a matrix of all the physical and virtual inputs and outputs. It’s really confusing to start with, but after a while you’ll come to like it.
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You can route MIDI just as easily as you route audio, either between computers, or to and from any connected MIDI devices - drum machines, keyboards and so on. These devices can be connected to the two MIDI DIN ports, or to the USB MIDI host port on the back. IPad caveats The iConnectAudio4+ has all the hookups. In my use, the audio quality of the iConnectAudio4+ is great especially if you use a sound manual. I don’t use microphones, except for podcasting, so I don’t need fancy mic preamps. The audio part converts at 24bits, which is more than good enough, and there’s enough gain on board for all my uses, even my guitar. This is easily the best iOS audio interface I’ve used.īut it’s not all good news for iPad users. For one, while the iConnectAudio4+ can power Lightning iPads and iPhones while they’re connected, it cannot power the USB-C iPad Pro. You’ll need to work around that limitation yourself. The first time you connect a new audio or MIDI device to your iPad, it will learn the names of all the ports on that device.
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THE BEST AUDIO INTERFACE FOR MAC WINDOWSĪfter that, they can never be changed, short of totally resetting your iPad.